Events at this location

Pink Beds and Deau Eyes perform at Bourgie Nights on February 16th from 10pm to midnight. Tickets are $12 in advance and $15 on the day of the show.

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From the website:

Pink Beds is a cerebral indie pop band formed in 2020 at the cusp of the initial lockdowns. Composed of four friends from Asheville, NC, they’ve cultivated a strong bond through a shared passion for lush soundscapes, artfully crafted tunes, and rhythms you can’t help but be moved by. The mélange of dream pop, new wave, lounge, and disco aims to create an ethereal listening experience with a combination of low-end groove, velvety guitar, silky keys, gritty synth, and catchy melodies. Making good use of isolation, the group combined their songwriting abilities and production chops to manifest a lush, warm, and evocative sonic environment with their December 2020 debut LP, All I Have. From tracking and production to mixing and mastering, each stage of the process was kept entirely within the group. The essence of Pink Beds, like its namesake, should be enjoyed with your own senses and a group of good friends.

Along with two singles in 2021, the band released a live album in 2022, Live From Echo Mountain, from the fabled Echo Mountain Recording in Asheville, NC. After a productive 2022 securing a foothold in southeast markets, becoming a FloydFest On-the-Rise artist, and a Relix Magazine Sonic Showdown Finalist, the band is releasing a new studio album in 2023. Pink Beds comprises Aaron Aiken (Vocals & Guitar), Jackson Van Horn (Keys & Guitar), Ryan Sargent (Drums & Percussion), and Logan Hall (Bass). “What started out as a casual jam to entertain a keg party has morphed itself into one of the most intriguing new musical acts inWestern North Carolina.

Aiken, a Brevard native, now fronts an Asheville group that stands at the intersection of indie rock, psychedelic folk and cerebral pop. It’s a seamless blend, more so a vibrant flow, that harkens back to the sounds of early 2000s indie icons The Strokes and Keane, with a thick thread leading to the melodic camps of Tame Impala and Snow Patrol.” — Garret K. Woodward, Rolling Stone Contributing Writer

Chatham County Line will host an Album Release Show “Hiyo” at Bourgie Nights on March 9th from 8pm to 10:30pm. Tickets are $20 in advance and $25 on the day of the show.

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From the website:

Launched a little more than twenty years ago in Raleigh, North Carolina, Chatham County Line built a devoted local following on the strength of their genre-bending live show—an intoxicating blend of bluegrass, folk, country, and rock and roll—before breaking out internationally with their 2003 self-titled debut. In the years to come, the band would go on to release eight more critically acclaimed studio albums, top the Billboard Bluegrass Chart four times, collaborate with the likes of Judy Collins, Sharon Van Etten, and Norwegian star Jonas Fjeld, earn two gold records in Norway (where they were also twice nominated for the Spellemannprisen, Norway’s equivalent of a Grammy), and share bills with everyone from Guy Clark and Lyle Lovett to Steve Martin & Martin Short and The Avett Brothers. NPRhailed the group as “a bridge between bluegrass traditions and a fresh interpretation of those influences,” while Uncut lauded their “powerful melodies and gorgeous harmonies,” and Pitchfork dubbed their music “timeless.”

The band’s latest release, Hiyo, marks the band’s first release since the departure of their longtime banjo player and serves as something of a reintroduction to the roots stalwarts, complete with new sounds, new collaborators, and a whole new lease on life. Recorded at Asheville’s Echo Mountain studio with co-producer/engineer Rachael Moore (Kacey Musgraves, Robert Plant and Alison Krauss), the collection finds the trio—Dave Wilson (lead singer/guitarist), John Teer (fiddle/mandolin) and Greg Readling (bass/pedal steel), embracing change at every turn, experimenting with fresh sonic palettes and innovative approaches to their core instrumentation. The songwriting remains classic Chatham County Line here—rich, evocative tales of love and heartbreak, joy and sorrow, righteousness and revenge—but the settings have evolved to incorporate synthesizers, drum machines, and more electric guitar and percussion than ever before. Given the group’s string band roots and decades spent singing around a single microphone, the results are nothing short of revelatory, taking an enduring sound and injecting it with a thrilling new spirit of discovery and vitality.